Waterfalls plunge through darkness, glowing white, blue, neon against the void. Mist rises from hidden pools, its tendrils reaching into nothingness. A wash of thundering infrasound, felt as much as heard, seems to be just at the edge of perception. You could get lost here, immersed deep within these cold curtains of light.
This is what it feels like when I look at the mysterious and atmospheric paintings of Hiroshi Senju, one of Japan’s foremost contemporary artists. Besides waterfalls, he’s painted glaciers, lava, rock faces, and forests, all possessed of the same quiet radiance. I love the powerful delicacy of his images, how they hover between abstract and figurative, traditional and contemporary.
While at a distance his paintings may appear to be works of modern abstraction, a closer examination reveals that they are also representations of the natural world, created with pigment and mulberry paper. As such, they are a continuation of the long lineage of nihonga, or traditional Japanese painting, though not without some new twists, including paint that fluoresces in UV light! It’s really worth a look, at both the book Hiroshi Senju, and at his website.
Milan : Skira ; New York : Distributed in North America by Rizzoli, 2009
Central Library: 759.952 B3473h 2009