The tUnE-yArDs is largely the work of one person, Merrill Garbus. She plays most of the instruments and does all the singing, including back-up vocals. You can hear the single here.
The music is amazingly interesting, a wild and free mix of R & B, Haitian rhythms, children’s music (with a dark side), pop, punk, and a lot of sampling and repetitive sounds. It sometimes veers close to Captain Beefheart’s and Ornette Coleman’s disjointedness-- which I actually don’t like-- but it doesn’t quite cross that line. It’s unusual, but catchy, even in its strangeness, and you know what?-- you can dance to it, too. Garbus’s voice is the most powerful instrument she has. It sounds to me like my own voice in my head, sometimes sweet and melodic, sometimes ragged and atonal, and sometimes a roar. She’s playful, brave, and astonishing. There’s even an interlude in the middle, a sweet little story about eating children which comes to a much quicker and more hedonistic rationale for cannibalism than Jonathan Swift’s Modest Proposal.
Have a listen!