Blogs: Writing

When I had a college radio show, I often played spoken word pieces by William Burroughs.  His odd cadence and bizarre subject matter made the strangeness of 3 a.m. that much more strange.  I’d broadcast the pieces into the dark quiet of the night, ghostly fog in the evergreens and the occasional glowing possum eyes outside the studio window.  After the heady description of a heroin high or alien sex, I’d follow up with something loud, dissonant and experimental.  That’s what student loans are made of.

A black and white picture of William Burroughs.  In the backgroud is a hat on a hook and an exit sign.William Burroughs instigated the Beat Generation and embodied the movement’s proclivity for drugs.  His book Junky basically made drug use glamorous.  When he lived in New York, his house (The Bunker) was like a supermarket for narcotics.  Burroughs was incredibly prolific and kept writing and speaking until his death in 1997.  His work influenced Bob Dylan, The Beatles, Steely Dan, David Bowie, Kurt Cobain and more.  Punk and heavy metal owe him a debt.  He was open about sex and his own homosexuality in an age of repression.

For his 100th birthday, the BBC made a documentary about his work, life, and legacy.  For his 101st, This American Life rebroadcasted it.  It’s an unsentimental and fascinating hour of radio.  Take a listen.

 

Obsessive Consumption by Kate Bingaman-BurtWhat’s a zine? Generally, we think of zines as little, inexpensively produced, most often handmade print items. Is a zine a book? Well, it’s a kind of book - a self-published book that’s usually not distributed very widely, and tends toward  the ephemeral. Zines have often been made by people whose viewpoints or experiences may not have been well represented by traditional publishing. Many of them are personal. They can be mostly text, or mostly image, or anywhere in between. Anyone can make a zine! And the author of a zine is in charge of the whole process - the content, production, and distribution of the publication.

And sometimes, a person makes not just one zine, but many - zine after zine! And sometimes, the work that they’ve self-published in zine form takes new form as a book published by a publisher, whether small or large. Ok, now it’s still a zine, and also a book. 

Big Plans by Aron Nels Steinke

Here's an example: Dishwasher: One Man’s Quest to Wash Dishes in All Fifty States, once a zine and now a book-length memoir by Pete Jordan that has been described as “part adventure, part parody, and part miraculous journey of self-discovery.” Or Obsessive Consumption: What Did You Buy Today? by Portland artist Kate Bingaman-Burt, whose zine What Did You Buy Today? Daily Drawings of Purchases documents, well, everything she purchased. Plenty of graphic novels have their origins in zines, such as Henry & Glen Forever & Ever (the fictitious cartoon adventures of Henry Rollins and Glenn Danzig, available in a series of zines), and Big Plans by another local cartoonist, Aron Nels Steinke.

At the library, we have zines, and we also have books that began as zines:

Zines Become Books, Part 1

Zines Become Books, Part 2

We also have an event coming up at Central Library on February 7th at 2pm, featuring local authors who make zines, people who’ve made zines and also books, and folks who have worn all sorts of other hats in the process: small publishers, educators, community connectors. Please join us at Zinesters Talking: From Zines to Publishing!

 

what you say matters

    We are deep in social media, of course. 74% of adults who use the internet use social media sites! It’s what we do now: how we maintain friendships, meet people, have conversations, begin relationships, learn about news, undertake social change, and market our services and products. There’s a lot (A LOT) that can be said about this, from whether or not it’s good for us to what Big Data from social media tells us about ourselves.

    So we do social media, and it results in a whole lot of writing. Research from last decade indicates that people are writing more than ever before. If we’re going to do a ton of writing in social media, we should do it well!

    That could mean a few different things:

    Hungry for more books on how (or why) to do social media? There’s something out there for the beginner, for the optimist, for the contrarian, or the pragmatist.

    There are a lot of writers out there. Portland alone seems to have one slouching in every coffee shop or slumped on a bar stool or monotoning into a microphone... have you ever been to Wordstock? Willamette Writers? With so much competition for publishers’ and readers’ attention, what’s a person to do who has a story to tell, and wants to share it with everyone?

    The writer’s life is by no means easy; first there’s the writing part - -how to write the story? Where to find the time? Should I subscribe to Poets & Writers magazine? What’s that word for….? Do I need Facebook to be a writer? But if I’m on Facebook promoting my writing, when will I ever find time to write?

    Then there’s publication - -get an agent? Focus on small presses? Self-publish?

    And then the boogie men that infect the hopes and confidence and resolve of any would-be (or accomplished!) author -- self doubt, loneliness, writer’s block, disappointment, poverty, envy, obscurity. Too many barbarians at the gate! It’s enough to make a person ask, ‘is it worth it?’

    Of course, it could always be worse... you could want to be a poet.

    Sometimes we take comfort in the idea we’re not the only ones suffering for -- or because of -- a dream. That is, if you’ve contemplated giving up on writing, you’re not alone.

    Should you give up? Here's some company:

    Or should you keep going?

    “But the writing life can be such a lonely, solitary existence! How can I connect with others who feel the way I do, and feel like I’m not alone?”

    And even if you “make it,” and get your book published, it doesn’t mean you’ll be any more famous than before you got your work out there -- at least not during your lifetime! Can you handle that?:

    Check out these well-regarded titles you probably never heard of:

    And these works it would be laughable to call obscure:

    Local or community resources, for support, writing groups, education, and even workspace:

    Or maybe you just need to nurture your craft by getting away from your daily life long enough to think, use your imagination, to write -- to breathe! and maybe a requisite chore or two:

     -- by Kass

    Leonid Pasternak, from WikipediaDo you need an MFA? You’re a writer. You write stories. You have a novel brewing. You’ve published some poems in small magazines. Or you’ve sold an essay. Maybe you’ve self-published a chapbook, zine, pamphlet, or little book. Or an e-book! Maybe you write and write, and would like to do these things.
     
    Artists, including writers, might choose to pursue an Master of Fine Arts (MFA!) degree in order to become a professional in their field. It usually takes two or three years, and in many cases involves a substantial amount of money, which often means major student loans. An MFA in creative writing usually centers around a writer’s workshop, where students receive feedback on their work, and provide feedback on the work of their colleagues, under the guidance of a professor who is a published author. MFA students have mentorship, community, an ear to the publishing world, and perhaps most importantly, dedicated time and space to write. Funding and an opportunity to gain teaching experience by working as a teaching assistant are also sometimes part of the deal, but not always. 
     
    Do you need an MFA to be a writer? Well, you already are one, right? Debate rages on (well, perhaps rages isn’t the most accurate term - simmers? drags?) about whether it’s worthwhile for aspiring writers to pursue an MFA. Plenty of writers don’t bother.  
     
    Novelist Chad Harbach wrote an essay examining the social and literary consequences of a writing world (fiction, in particular), in which writers inhabit one of two systems: the world of MFA programs or the world of NYC publishing. This is published along with essays by contributors examining features of life from both sides in MFA vs NYC: The Two Cultures of American Fiction.
     
    So, is an MFA right for you? If you think so, some guides to programs might be useful: the Associated Writing Programs (AWP) guide to programs, or the MFA Programs Database from Poets & Writers Magazine. In book form, there's also The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students.
     
    Perhaps an MFA program isn’t in the cards for you. Perhaps you might be be a better writer going under your own steam. Can’t you have mentorship, community and connections without the hefty price tag? Can’t you create your own reading lists and writing assignments, your own deadlines? Meet writer friends and share ideas and constructive criticism on your work? I’ll bet you can do these things. After all, you have the whole library at your fingertips!*
     
    Here’s a booklist for you: DIY Creative Writing MFA
     
    You might try working through an online Creative Writing course: there are quite a few free online courses offered by MIT OpenCourseWare! These cover different topics and genres, with courses about reading and writing poetry, reading and writing stories, writing the personal essay, genre writing, writing about race and border crossings… You can find these and other free (and for-fee) online courses on the Springboard course finder. If you'd like some help finding a syllabus or other course materials that are a good fit for you and the work you'd like to do, please feel free to get in touch with us
     
    Especially if you want to do it yourself, local resources for writers are essential - they include classes, events, and writing groups. Here’s our post about some of them in the Portland area.  Also see our booklist of creative writing prompts and guides for ideas for creating your own assignments!
     
    Let's not forget that the whole point of an MFA program in Creative Writing is to do a huge amount of work in a focused, directed sort of way. MFA students read like crazy, from the masters to the innovators. They write like crazy, all the time, head down and pen moving (or, you know, keyboard clicking). They read one anothers' work and think intensely about how and why a great piece of writing works. They dig deep into the mysteries and ambiguities and theories of language and literature. Get to work! 
     
    *Sorry, shameless plug for library services. But seriously: everything you need to read is here, and plenty of resources for guidance about craft. We can help you borrow obscure poetry books via Interlibrary Loan, if necessary. We can connect you with suggestions for your reading list. We can even provide space for writing. If only we could help with the problem of time for writing.

    Will Cuppy'Just when you're beginning to think pretty well of people, you run across somebody who puts sugar on sliced tomatoes.' Will Cuppy is a master of the written word. Now, maybe your family doesn't put sugar on their sliced tomatoes. But if they do, like mine, then you understand the genius of this quote. 

    Never heard of Will Cuppy? Allow me to introduce you. An American humorist and journalist, Cuppy was best-known for his mock-scientific observations of nature. Born in 1884 in Indiana, Cuppy lived and wrote for many years in New York, before taking his own life in 1949. Writing funny but factual magazine articles was Cuppy's real talent. Many of Cuppy's articles for The New Yorker and other magazines were later collected as books, including How to Attract the Wombat, one of my personal favorites. I mean, who doesn't want to know how to swat a fly? This book will tell you just that, in an article in which Cuppy codifies the essentials of this simple activity in ten hilarious principles. These articles are not necessarily factual though they are equally not untrue. Cuppy writes short, darkly humorous articles, perfect for when one only has a few minutes to read, and needs a laugh. We also read them out loud in our house, and that is real hoot!

    Cuppy was reclusive and cultivated the image of a curmudgeon, but he had many friends in New York's literary circles. If you are a fan of writings from the golden age of humor (late 1920's-early 1950's), writers such as Robert Benchley, James Thurber, and S.J. Perelman, then I urge you to seek out Will Cuppy's works. Multnomah County Library owns several, and our friendly staff is always available to help you locate more Will Cuppy via Interlibrary Loan. Happy reading!

     

    .

     

    A Room of One's Own by Virginia WoolfWhat do writers need? Virginia Woolf famously said that “a woman must have money and a room of her own if she is to write fiction” (in the essay A Room of One’s Own), but of course that’s not all, and not for everyone (men, poets, playwrights…). Writers need time, and space to pursue their craft. Writers need support, which can take the form of opportunities to read aloud, or to hear other writers talking about writing, or a community of supportive critical readers.

    There are lots of organizations in the Portland area that offer resources for writers! Some are free, others are cheap (though not all). They involve various commitments of time. Here are some local organizations, roughly grouped  - but you’ll see that they are hard to categorize… 

    Writing groups, workshops, and classes

    The Attic Institute presents workshops, classes, and individual consultation about writing projects.

    Lewis and Clark Northwest Writing Institute offers classes for community members.

    The Mountain Writers Series presents monthly readings and writing workshops. The links section of their webpage connects to a huge number of other local organizations!

    The Multnomah Arts Center offers some wonderful literary arts classes.

    PDX Writers facilitates workshops and retreats.

    Portland State University has a few different academic programs in creative writing.

    VoiceCatcher is a nonprofit connecting and empowering women writers in Portland.

    Write Around Portland offers free creative writing workshops in social service settings, and creates publication and reading opportunities for workshop participants.

    Membership organizations

    The Independent Publishing Resource Center (IPRC) offers resources and workshops related to printing and book-making. They also have certificate programs in creative nonfiction/fiction, poetry, and comics/graphic novels.

    Oregon Poetry Association, Oregon’s oldest and largest literary organization, offers community, contests, and conferences.

    Oregon Writers Colony offers community, conferences and workshops, and the use of a beach house writing retreat!

    Rose City Romance Writers, the Portland, Oregon chapter of Romance Writers of America, educates, supports, and mentors published and unpublished romance writers.

    Willamette Writers hosts regular meetings for the exchange of ideas related to writing and craft.

    Reading series

    Literary Arts’ programs include Portland Arts and Lectures, Writers in the Schools, the Oregon Book Awards and Fellowships, and Delve Readers Seminars.

    There are many different reading series in Portland! You could head out to hear writers read their work at the Free Range Poetry series at the Northwest Library,  Mountain Writers series, the Spare Room series, the Loggernaut reading series, the submission reading series, Burnt Tongue, Unchaste Readers, or The Switch... you could catch a reading when the Science Fiction and Fantasy Writers of America (FWWA) Pacific Northwest Reading Series has a Portland event...  or you could see one of the many readings at Powell's Books! The Notable Portland column on The Rumpus lists select awesome events, mostly literary oriented.

    Conferences/Festivals/Big events

    Ooligan Press’s Write to Publish Conference aims to demystify the publishing industry for emerging writers.

    At the Portland Zine Symposium, zine and minicomic creators sell and trade their self-published creations.

    Wordstock is Portland’s biggest annual literary festival, featuring author readings, writing contests, workshops, exhibits and a book fair.

    Other stuff

    Oregon Authors is a great general resource for information about authors in Oregon! The site is a collaboration between Oregon Library Association and Oregon Center for the Book. It includes a great list of readers and writers groups in Oregon.

    Last but certainly not least, Multnomah County’s Central Library offers the Sterling Room for Writers, where writers can find a quiet work space in close proximity to all the resources the library has to offer. Interested writers must submit an application and be approved to gain access to the room.

    Photo of Beverly Cleary from beverly cleary dot com

    One of the most popular and honored authors of all time, Beverly Cleary has won the Newbery Medal for Dear Mr. Henshaw. Her books Ramona Quimby, Age 8 plus Ramona and Her Father have been named Newbery Honor Books.

    Beverly Cleary was born in McMinnville, Oregon, and, until she was old enough to attend school, lived on a farm in Yamhill, a town so small it had no library. Her mother arranged with the State Library to have books sent to Yamhill and acted as librarian in a lodge room upstairs over a bank. There Mrs. Cleary learned to love books. When the family moved to Portland, where Mrs. Cleary attended grammar school and high school, she soon found herself in the low reading circle, an experience that has given her sympathy for the problems of struggling readers. (1)

    Celebrate Oregon's beloved author and famous characters from her novels with the self-guided walking tour Walking With Ramona Map, published by The Library Foundation. The tour begins at the Hollywood Neighborhood Library, 4040 N.E. Tillamook Street, and continues through nearby neighborhoods, exploring the places where the events in her books "really happened." Visit the Beverly Cleary Sculpture Garden, a special gift to the City of Portland from Friends of Henry & Ramona. Cast in bronze by Portland artist Lee Hunt, the life-sized bronze statues of Ramona Quimby, Henry Huggins, and Henry's dog Ribsy welcome young and old to Grant Park.

    Continue on through the park, scene of endless adventures: "He passed the playground where he heard the children's shouts and the clank and clang of the rings and swings. Henry didn't stop. He had work to do. He went to the edge of the park where there were no lights and turned on his flashlight. Sure enough, there in the grass under a bush was a night crawler. Henry nabbed it and put it into his jar."

    Sculpture of Henry;  photo by Beverly Stafford, Multnomah County LibraryRamona sculpture - photo by Beverly Stafford Multnomah County LibraryRidby the dog sculpture - photo by Beverly Stafford, Multnomah County Library

    We hope you enjoy this walking tour. Please be mindful of current residents as you pass by the homes where Beverly Cleary once lived.

    Beverly Cleary now resides in California but her influence is always local for us.


    Print: Walking With RamonaMap    Copies available at the Central and Hollywood libraries

    Sources:

    1. D.E.A.R. : Drop Everything and Read
    2. City of Portland: Grant Park Sculpture Garden. Dedicated on October 13, 1995.
    3. The publication Walking With Ramona was made possible by gifts to The Library Foundation.

     

    "Music is the poetry of the air." 
    --Jean Paul Richter

    If poetry lifts up your spirits, chances are really good that you are also uber fond of music. Legendary songwriters like Tupac and Bob Dylan are poets at heart. Writing a poem is already quite a task, but coming up with words that fit a particular melody is an entirely different journey.

    Do you feel that there is an inner songwriter in your that is just aching to explode out of you? Our library collection can certainly aid you in creating musican content. Who knows? Maybe this is your songwriting year!

     

    book and e-bookYou’ve written something, and it’s time to publish! Self-publishing isn’t what it used to be - expensive, sneered at as a "vanity" project, and often ignored by booksellers. Now you can bring your writing into physical form relatively cheaply, and it can be as glossy and perfect-bound as you like, or if you prefer, hand-stitched and hand-painted. With print-on-demand (POD) services,  you can have one beautiful book printed for a family member or friend, or you can print many to distribute to bookstores. It can also be an e-book - many authors are finding great success with self-published e-books. With a self-published ebook, you can have the satisfaction of getting your book into the hands of readers quickly, via many platforms, and even for free or very low cost. The avenues to self-publishing are diverse!

    Because there are so many options, you’ll want to inform yourself as best you can. Things to consider include:

    • Do you want your book to have an ISBN?
    • How do you plan to market your book?
    • Who is the intended audience for your book?

    Check out our booklist featuring books about self-publishing. Many of the books on this list discuss these questions, among others, that you should consider as you plan your self-publishing project.

    What follows are just a few of the many resources available for you to choose from as you consider your self-publishing process.

    If you'd like to be able to hold a print book in your hands, print-on-demand (POD) publishing might be for you. Some popular POD printers include CreateSpace (owned by Amazon.com), Ingram Spark (owned by Ingram, a major book distributor) Lulu, and Blurb. Many POD publishers offer ebook publishing, too. 

    If you choose to self-publish an ebook, you might consider using the popular self-publishing services Amazon's Kindle Direct Publishing (KDP)Draft2Digital, or Smashwords

    The services listed above are only a few of many available, and the landscape of these services and what they offer changes frequently. These services, whether for print or ebook publishing, vary in terms of rights that you reserve as an author, costs you may incur, the commission they keep from the sales of your books, the support they provide with formatting and design, among other things. Read up on the differences! Please let us know if we can help. 

    There some local resources that might be relevant to your project, too: 

    If you’re interested in making contact with a local publisher or association, you might find the following organizations useful:

    For advice and news, the Alliance of Independent Authors has an advice blog about self-publishing.

    Are you interested in having your e-book available in the library? OverDrive is a service that many libraries, including Multnomah County Library, use to provide access to e-books. Like publishing houses, self-publishers must fill out a Publisher Application found on OverDrive's Content Reserve site. OverDrive has also created a helpful Intro to Digital Distribution pdf for new authors and publishers. OverDrive's public contact info can be found here. If your e-book is added into the OverDrive catalog, you can then suggest that we purchase it.

    MCL also selects ebooks written by local authors during our annual Library Writers Project

    In your creative work, you may find yourself wondering about copyright law and how it applies to you. We have quite a few books that provide guidance on these subjects - two of these are The Copyright Handbook: What Every Writer Needs to Know by Stephen Fishman and Fair Use, Free Use, and Use by Permission: How to Handle Copyrights in All Media, by Lee Wilson. You’ll find quite a few others under the subject heading Copyright -- United States -- Popular Works.

    Have fun, enjoy the process, and feel empowered to get your work into print! As always, please let us know if we can help direct you to books or other resources to help with your project. 

     

     

    Pages

    Subscribe to