Listening to the radio, we hear music that is new, along with favorites, that may also be new from interpretations or performances that we haven't heard before. Though a common complaint of many is that email is too much, if you like to find out about music and musicians that might be new to you, Alexander Street Press has a signup for free music downloads every two weeks that arrive in your inbox. A short text about the composer and piece of music comes with the recording,
Alexander Street Press offers downloads from two collections that do not require logging in with your library card from Multnomah County Library : Classical Music Library and Smithsonian Global Sound for Libraries.
Sampler: Here is a Classical Music selection from past weeks of music:
Link to these two collections for the current week's downloads. Classical Music Library and Smithsonian Global Sound for Libraries.
Sampler: Erik Satie's Trois Sarabandes
French composer Erik Satie (1866–1925) has been called many things, but his musical legacy establishes best that he was, in essence, a visionary. Satie composed in a musical environment dominated by the heavily orchestrated, longwinded Germanic tradition—home to Wagner, Brahms, and Bruckner. In stark contrast, Satie’s music is clean, simple, and brief. Unlike the thematic transformations found in Wagner’s operas, Satie does not develop his motives, choosing rather to juxtapose shorter repeating phrases.
The sarabande originated as a movement in the Baroque dance suite. Centuries later, Satie’sThree Sarabandes for piano still bear a resemblance to the original sarabande. All three movements are in triple meter (though Satie’s irregular phrasing often obscures this), conform to an AABB form, and strive to emphasize the second beat of the measure, sometimes referred to as a “sarabande rhythm." Otherwise, these three short pieces are distinctly Satie.
The late 19th century was the beginning of a harmonic revolution and Satie surely enlisted. While Satie’s music was regarded as radical among more conservative musicians, he was really forecasting the new movements in 20th century music—minimalism, total chromaticism, and serialism, to name a few. While his teachers and peers strove to force him into following the rules and conventions of “proper” composition, Satie remained true to himself and ushered in the new wave of music. This recording is performed by France Clidat.
Sampler: Pakistan: The Music of the Qawal
The Sabri Brothers - Nât Sharîf. Qawwali is a form of Sufi devotional music popular in the northern regions of present-day Pakistan and India. Although it is thought to have originated in Persia, present-day Iran, and Afghanistan, the form of qawwali performed in this 1977 recording probably dates from the Mughal Empire (approximately 1526–1857) in the Indian subcontinent. Qawwali music became popular in the 20th century through the recordings of Pakistani singer Nusrat Fateh Ali Khan. Other 20th-century performers include Aziz Mian and the Sabri Brothers.
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