A glowing orb hangs in a dense mist. You descend a ramp and enter a great hall. Golden light fills the heavy air. Your mirror image swims far above you, along with the images of hundreds of other viewers of the spectacle. You sink to the floor, waving and gesturing, watching the limbs of the crowd as they wave and gesture far above, like the feathery tongues of sea creatures trapped at the bottom of some deep ocean pool.
This unusual scene is what you might have encountered if you saw Icelandic-Danish artist Olafur Eliasson’s installation, The Weather Project, which can be glimpsed on the artist’s website . Eliasson and his studio create sculptures and installations that combine architectural elements with natural materials such as light, mist, water, ice, wind, scent, even lichen. The Weather Project so enraptured viewers that they lay on the floor of the Tate museum basking in the radiance of its strange sun, and even inspired a recent Marc Jacobs fashion show. Of the installation’s allure, the artist says,
"I don't mind making things that look great or seem very seductive, because to me, rationality and seduction are not mutually exclusive. For instance, you can be rational about your seduction, as in The Weather Project , or in Beauty . The quality of the experience really depends on the combined performativity of the installation and the person; if the situation allows for a very individual experience, I'm not afraid of the work being called "beautiful." I don't think beauty can be generalized, even though many people seem to suggest just that by insisting on a type of beauty that would be immanent to the works. "Beauty" is a very complex term..." - Olafur Eliasson [p. 75].
Find out more in Studio Olafur Eliasson.