The tUnE-yArDs’ Nikki Nack: Playful, brave, astonishing

You know how it feels when you are in love with new music or a book, and you feel all exultant that this is yours, yours, yours? That’s how I am loving the new tUnE-yArDs CD, Nikki Nack, like a dragon loves his treasure, like cookie monster loves his cookies. The only reason I’m  telling you about it is that I actually bought it, because otherwise I wouldn’t want you to put it on hold and take it away from me.

The tUnE-yArDs is largely the work of one person, Merrill Garbus. She plays most of the instruments and does all the singing, including back-up vocals. You can hear the single here.

The music is amazingly interesting, a wild and free mix of R & B, Haitian rhythms, children’s music (with a dark side), pop, punk, and a lot of sampling and repetitive sounds. It sometimes veers close to Captain Beefheart’s and Ornette Coleman’s disjointedness-- which I actually don’t like-- but it doesn’t quite cross that line. It’s unusual, but catchy, even in its strangeness, and you know what?-- you can dance to it, too. Garbus’s  voice is the most powerful instrument she has. It sounds to me like my own voice in my head, sometimes sweet and melodic, sometimes ragged and atonal, and sometimes a roar. She’s playful, brave, and astonishing. There’s even an interlude in the middle, a sweet little story about eating children which comes to a much quicker and more hedonistic rationale for cannibalism than Jonathan Swift’s Modest Proposal.

Have a listen!

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