I’ve never really read more than an issue or two of Wired magazine, only because I knew if I did follow the periodical on a regular basis, I would further more be a slave to technology than is humanly necessary. That said, for a few years now I have been a loyal follower of the “Cool Tools” blog curated by Kevin Kelly, the founding editor of Wired. The blog proved so popular and full of, well, cool tools, that Kelly collated the best of the best into one gigantic catalog-reference guide of the same name. Over 450 pages of a seductive hybrid, melding your grandmother’s clockwork Sears catalog and the bottomless carpetbag of an exceptional, twinkle-eyed gadget clown. Initially, I checked it out from the library (of course), but after a day or two of barely exploring one-third of the tome, I knew I had to purchase my own personal copy.
The “title” page reads thus: “A cool tool is...anything useful that increases learning, empowers individuals, does work that matters, is either the best or the cheapest or the only thing that works.” The inside and back covers are divided and indexed into 31 separate topics such as Craft, Dwelling, Edibles, Big Systems, Mobile Living, Storytelling, Aurality, Science Process, and Somatics. Sold yet? Ok, there is also another index by the specific name of the tool and QR codes in each and every entry to link you straight to the web, usually the manufacturer’s specific site or Amazon. The back cover alone also gives you options: Raise backyard chickens, Erect an igloo, Publish an ebook, or Design your own fabric. Kelly and his team inform you in the first seven pages that all entries and/or links are as updated as possible, provide a FAQ, a How To Use This Book primer, and a handy supportive entry of a book on de-cluttering your life. Sounds counter-productive, right? Not really. Think of it as a non-threatening “abandon hope all ye who enter here.” Kelly plays the wide-eyed Tools R’ Us Virgil to your drooling Dante.
This seems like a sales pitch, I know. As if I’m the underground marketing intern for Kelly’s company; but the title is self-published and most of the profits go right back into the people and materials that shaped the book in the first place. The best part is that you can spend hours slowly thumbing through it and not even think of purchasing anything. Opening it randomly now, this is what I find: Three Jaw Brace, Virtual Piano, Silicone Pinch Bowls, and Etymotic Research Earplugs. If you put this title on hold down at your local library, make sure you bring a big bag as this book is like a yoga mat for cats. Your brain, your budget, and your exposure to stuff that’s actually productive, however, will most certainly need their own personal Corpse pose. Enjoy.