Listening to the radio, we hear music that is new, along with favorites, that may also be new from interpretations or performances that we haven't heard before. Though a common complaint of many is that email is too much, if you like to find out about music and musicians that might be new to you, Alexander Street Press has a signup for free music downloads every two weeks that arrive in your inbox. A short text about the composer and piece of music comes with the recording,
Alexander Street Press offers downloads from two collections that do not require logging in with your library card from Multnomah County Library : Classical Music Library and Smithsonian Global Sound for Libraries.
Here is this week's Classical Music selection:
Erik Satie's Trois Sarabandes
French composer Erik Satie (1866–1925) has been called many things, but his musical legacy establishes best that he was, in essence, a visionary. Satie composed in a musical environment dominated by the heavily orchestrated, longwinded Germanic tradition—home to Wagner, Brahms, and Bruckner. In stark contrast, Satie’s music is clean, simple, and brief. Unlike the thematic transformations found in Wagner’s operas, Satie does not develop his motives, choosing rather to juxtapose shorter repeating phrases.
The sarabande originated as a movement in the Baroque dance suite. Centuries later, Satie’sThree Sarabandes for piano still bear a resemblance to the original sarabande. All three movements are in triple meter (though Satie’s irregular phrasing often obscures this), conform to an AABB form, and strive to emphasize the second beat of the measure, sometimes referred to as a “sarabande rhythm." Otherwise, these three short pieces are distinctly Satie.
The late 19th century was the beginning of a harmonic revolution and Satie surely enlisted. While Satie’s music was regarded as radical among more conservative musicians, he was really forecasting the new movements in 20th century music—minimalism, total chromaticism, and serialism, to name a few. While his teachers and peers strove to force him into following the rules and conventions of “proper” composition, Satie remained true to himself and ushered in the new wave of music. This recording is performed by France Clidat.
Selection from Smithsonian Global Sound:
More than 100 years and three regions of Chilean folk song style are summed up in this contemporary musical tour-de-force led by singer, guitarist, and composer Rafael Manríquez (1947–2013) and friends. Guitar- and harp-driven country tonadas, Andean cachimbos with charango and quena, southern Chiloé Island songs with accordion, political nueva canción, edgy urban cuecas, and more offer a glimpse of Chilean folk music of today in its eclectic diversity. Guest artists include Eduardo Peralta, Héctor Pavez, Pedro Yáñez, and a dozen other mainstays of the Chilean folksong movement.
To explore more of Music Online Alexander Street Press from home, login from the Multnomah County Library website with your MCL library card.